Notes on Kurdish Culture, Literature and Art Conference in Diyarbakir

Prepared by Amir Sharifi and Luqman Barwari

As 2010 was coming to an end, one could make a forceful argument that the year was an intriguing and fruitful one when it came to the long neglected Kurdish language, art, and literature. Kurdish intellectuals, politicians, and activists in the homeland and Diaspora for the first time discussed their shared interests and aspirations to ensure that they re-discover, reassert and regain their role in studying, safeguarding, and representing their cultural legacy and ethnic and linguistic identity. 

From Dec 11 to Dec 12, 2010, many well known Kurdish intellectuals, artists, and performers met in one of the cultural capitals of Kurdistan, Diayarbakir or Amed, an old city on the plains of Tigris River to discuss Kurdish history, both ancient and contemporary, the current situation, and future directions and perspectives on the Kurdish culture. This was the first Kurdish Culture, Literature and Art Conference organized by the Democratic Society Congress (DTK), Mesopotamia Cultural Centers (MKM) and Diyarbakir Municipality. This pioneering initiative had received the support of Kurdish politicians, activists, intellectuals and artists from different parts of the land. The conference organizers deserve congratulations for two days of stimulating and inspiring talks on the issues that the Kurdish nation faces in these difficult but promising times. Indeed, the conference promoters deserve the immense success that their conference enjoyed. For the conferees it was a great joy and privilege to have met many fellow Kurds from different parts of our land. Kurds from Western, Southern, Northern, Central and Eastern Kurdistan had converged on Amed as had Kurds in Diaspora: from Russia, European countries, and the U.S. Some participants, particularly women organizers were dressed in the brightly colorful Kurdish dresses, giving the event a festive mood, accentuated by podium sized floral designs made of colorful fabric, emblematic of the Kurdish flag.

The stage in the Gegerxwin Cultural Hall was decorated with iconic images of Kurdish prominent literary and historical figures such as Ahmad Khani, Baba Tahir e Oryan, Malaye Jaziri, Hemin, Fatma Isa, Musa Anter, Cegerxwin, Osman Sebri, Aysha Shan, Ibrahim Ahmad, Hejar, and Qanate Kurdo on a backdrop. The organizers were very earthbound, offering their guests; more than 250 delegates the legendary Kurdish hospitality. To facilitate communication among speakers of different dialects of Kurdish and non-Kurdish speakers, simultaneous interpretations were provided in Sorani, Kurmanji, English, and Turkish. Through the efforts of the organizers, scores of well known participants from different domains of knowledge and academic disciplines exchanged ideas and debated their perspectives on a variety of topics. Community leaders and associations such as The Kurdish Institute in Istanbul, Mesopotamia Cultural Centers were represented. Browsing through the program schedule, one could see many prominent figures such as Ozkan Kuchuk, Kurdologist, Jalile Jalil, Kurdologist, historian, and writer., Hashem Ahmadzadeh, author and director of Kurdish studies Sami Tan, the Director of Kurdish Institute in Istanbul, Mikail Aslan, composer and musician, and Mushin Osman, film director.

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